{"id":179,"date":"2012-09-16T21:10:12","date_gmt":"2012-09-17T00:10:12","guid":{"rendered":"http:\/\/www.artnaturemoncton.ca\/?page_id=179"},"modified":"2016-08-29T21:10:54","modified_gmt":"2016-08-30T00:10:54","slug":"michael-belmore","status":"publish","type":"page","link":"https:\/\/www.artnaturemoncton.ca\/fr\/symposium-dartnature-moncton-2012\/2012artistes\/michael-belmore\/","title":{"rendered":"Michael Belmore"},"content":{"rendered":"

[:fr][wpcol_1half id=\u00a0\u00bb\u00a0\u00bb class=\u00a0\u00bb\u00a0\u00bb style=\u00a0\u00bb\u00a0\u00bb]\"\"
\nMichael Belmore<\/strong> est membre de L\u2019Acad\u00e9mie royale des arts du Canada et a obtenu un A.O.C.A.(Associate for the Ontario College of the Arts) en sculpture\/installation du Ontario College of Art and Design en 1994. Belmore emploie une vari\u00e9t\u00e9 de m\u00e9diums pour examiner notre utilisation de la technologie et comment celle-ci influence nos relations avec l\u2019environnement et il utilise certains mat\u00e9riaux pour mieux miroiter notre marchandage de la nature.<\/p>\n

Le travail de Belmore a \u00e9t\u00e9 montr\u00e9 au Canada ainsi qu\u2019\u00e0 l\u2019international, on le retrouve dans les collections permanentes de plusieurs institutions ainsi que dans bon nombre de collections priv\u00e9es. Quelques-unes de ses expositions les plus r\u00e9centes comprennent\u00a0: Shapeshifting<\/em>\u00a0: Transformations in Native American Art<\/em> au Peabody Essex \u00e0 Salem, MA, Close Encounters: The Next 500 Years<\/em>, une exposition d\u2019art autochtone contemporain \u00e0 Winnipeg, MB ainsi que HIDE: Skin as Material and Metaphor<\/em> au\u00a0 National Museum of the American Indian \u2013 George Gustav Heye Centre \u00e0 New York. [\/wpcol_1half]
\n[wpcol_1half_end id=\u00a0\u00bb\u00a0\u00bb class=\u00a0\u00bb\u00a0\u00bb style=\u00a0\u00bb\u00a0\u00bb]Residual<\/strong><\/em><\/p>\n

Residual (R\u00e9siduel) est le reflet des sentiments de r\u00e9confort et de s\u00e9curit\u00e9 que repr\u00e9sente pour nous le feu depuis le d\u00e9but des temps. De par l\u2019utilisation de roches sculpt\u00e9es doubl\u00e9es de feuille de cuivre, l\u2019\u0153uvre se veut occasion de r\u00e9flexion sur l\u2019histoire soit personnelle ou partag\u00e9e.<\/p>\n

[youtube width=\u00a0\u00bb250″ height=\u00a0\u00bb187″]http:\/\/youtu.be\/Nv4tDlEDTck[\/youtube][\/wpcol_1half_end][:en][wpcol_1half id=\u00a0\u00bb\u00a0\u00bb class=\u00a0\u00bb\u00a0\u00bb style=\u00a0\u00bb\u00a0\u00bb]\"\"
\nMichael Belmore<\/strong> is a member of the Royal Canadian Academy of Arts and graduated with an A.O.C.A. in sculpture\/installation from Ontario College of Art & Design in 1994. Belmore employs a variety of media in order to investigate our use of technology and how it has affected our relationship to the environment. It is through his use of materials that Belmore brings into account how we view nature as commodity.<\/p>\n

Belmore’s work has been exhibited nationally and internationally and is represented in the permanent collections of various institutions and numerous private collections. His most recent exhibitions include Shapeshifting: Transformations in Native American Art<\/em> at the Peabody Essex in Salem, MA, Close Encounters: The Next 500 Years<\/em>, an international exhibition of contemporary indigenous art in Winnipeg, MB and HIDE: Skin as Material and Metaphor<\/em> at the National Museum of the American Indian \u2013 George Gustav Heye Centre in New York.[\/wpcol_1half]
\n[wpcol_1half_end id=\u00a0\u00bb\u00a0\u00bb class=\u00a0\u00bb\u00a0\u00bb style=\u00a0\u00bb\u00a0\u00bb]Residual<\/em><\/strong><\/p>\n

Residual is a reflection on the sense of security fire has offered humanity since the dawn of time. Through the use of carved stone lined with copper leaf, the work is intended to offer the viewer the opportunity to reflect on shared and personal histories.[\/wpcol_1half_end][:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:fr][wpcol_1half id=\u00a0\u00bb\u00a0\u00bb class=\u00a0\u00bb\u00a0\u00bb style=\u00a0\u00bb\u00a0\u00bb] Michael Belmore est membre de L\u2019Acad\u00e9mie royale des arts du Canada et a obtenu un A.O.C.A.(Associate for the Ontario College of the Arts) en sculpture\/installation du Ontario College of Art and Design en 1994. Belmore emploie une vari\u00e9t\u00e9 de m\u00e9diums pour examiner notre utilisation de la technologie et comment celle-ci influence… Poursuivre la lecture Michael Belmore<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":91,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-179","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.artnaturemoncton.ca\/fr\/wp-json\/wp\/v2\/pages\/179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artnaturemoncton.ca\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.artnaturemoncton.ca\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.artnaturemoncton.ca\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artnaturemoncton.ca\/fr\/wp-json\/wp\/v2\/comments?post=179"}],"version-history":[{"count":0,"href":"https:\/\/www.artnaturemoncton.ca\/fr\/wp-json\/wp\/v2\/pages\/179\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.artnaturemoncton.ca\/fr\/wp-json\/wp\/v2\/pages\/91"}],"wp:attachment":[{"href":"https:\/\/www.artnaturemoncton.ca\/fr\/wp-json\/wp\/v2\/media?parent=179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}